{"id":1010,"date":"2019-02-16T12:00:45","date_gmt":"2019-02-16T12:00:45","guid":{"rendered":"http:\/\/soberaojazz.es\/?p=1010"},"modified":"2019-02-18T12:58:14","modified_gmt":"2019-02-18T12:58:14","slug":"concierto-16-02-19-de-viva-bop","status":"publish","type":"post","link":"https:\/\/soberaojazz.es\/index.php\/2019\/02\/16\/concierto-16-02-19-de-viva-bop\/","title":{"rendered":"Concierto (16\/02\/19): De Viva Bop"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"333\" src=\"https:\/\/soberaojazz.es\/wp-content\/uploads\/2019\/02\/devivabop-e1549458781807.jpg\" alt=\"\" class=\"wp-image-1012\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El repertorio de esta formaci\u00f3n est\u00e1 basado en los temas de la era del be-bop y de sus legendarios combos. M\u00fasicos como Charlie Parker, Dexter Gordon, Wes Montgomery, Clifford Brown o Dizzy Gillespie, han inspirado este nuevo acercamiento a la m\u00fasica de jazz de los 50, que conforma la base del moderno lenguaje del jazz, protagonizado por cuatro m\u00fasicos de sobrada experiencia y profesionalidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Formaci\u00f3n:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Pablo Garc\u00eda (saxo alto)<\/li><li>Manuel Sold\u00e1n (guitarra)<\/li><li>Juan Garc\u00eda (contrabajo)<\/li><li>Casi Rivas (bater\u00eda)<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00e1bado, 16 de febrero de 2019, a las 22:00.<br>Entrada: 6 \u20ac &#8211;&nbsp;Socios y socias de Soberao Jazz: <strong>GRATIS (*)<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(*) Evento patrocinado por A.C.M. Soberao Jazz para sus socias y socias.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El repertorio de esta formaci\u00f3n est\u00e1 basado en los temas de la era del be-bop y de sus legendarios combos. M\u00fasicos como Charlie Parker, Dexter Gordon, Wes Montgomery, Clifford Brown o Dizzy Gillespie, han inspirado este nuevo acercamiento a la m\u00fasica de jazz de los 50, que conforma la base del moderno lenguaje del jazz, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-1010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actividades","category-conciertos"],"_links":{"self":[{"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/posts\/1010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/comments?post=1010"}],"version-history":[{"count":3,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/posts\/1010\/revisions"}],"predecessor-version":[{"id":1064,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/posts\/1010\/revisions\/1064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/media\/193"}],"wp:attachment":[{"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/media?parent=1010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/categories?post=1010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soberaojazz.es\/index.php\/wp-json\/wp\/v2\/tags?post=1010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}